| Virtual Vi offline set up | Set up your shows offline and load them into the Vi3000 via USB |
| VM2 radio mic status monitoring | Monitor the status of HiQnet-compatible AKG radio mics directly from the console surface with realtime visual displays of battery life, RF status, mic muting and internal clipping. |
| Copy/Paste channel bus and FX settings | Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be copied and pasted, dramatically cutting down the set up time. |
| Copy/Paste processing elements | Operators can drill down to copy and paste even single processing elements, and the last paste operation can always be quickly reversed with an UNDO function. |
| Settings Library | Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to a USB memory stick, making initial set up and transition between shows even easier. |
| Sophisticated Cue List Management | Allows changes to be applied to multiple cues and recall scope to be set per snapshot. |
| Advanced events integration | Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman's HiQnet Venue recall function is tightly integrated within the Cue List. |
| Automated microphone mixing | Post fade inserts provide an extra access point for inserts on every channel for use with external auto mic mixing systems. |
| Snapshot crossfades | Snapshot recalls can use crossfades to transition smoothly from one setting to the next. |
| ViSi Remote iPad® app | Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage. |
| All busses to stereo | All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability – perfect for mixing large monitor applications. |
| 4 Aux send points | With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to performers' requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus basis. |
| Aux VCA mode | VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow illuminating in white to indicate the VCA's operation on the current mix. Monitor engineers can retain control of important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is controlling the global channel level to all mixes. |
| Auto-increase of ambient mic levels in monitor mixes between songs | Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases automatically when the performers stop playing. |
